Vol. 12  |  No. 51  | February 1968

Letters to the Editor
Notes from the Underground
Jack Shepherd & Christopher Wren: Quotations from Chairman LBJ
John Fergus Ryan: The Nuthouse Pickings
Fidel Castro: El Che Vive!
Michel Bosquet: The Last Hours of Che Guevara
Che Guevara: Where It All Began: The Landing in Cuba / Farewell Letter
George Andrew Roth: I Was Arrested with Debray
Régis Debray: A Message to My Friends
K. S. Karol: Four Days with Fidel
Michael O’Donoghue & Tom Lafferty: Driven Mod
Jack Kerouac: The Murder of Swinburne
Roy L. Walford: Three Version of the Oriental Squat: A Triptych
Muriel Rukeyser: Bunk Johnson Blowing
Berton Roueché: Prestigious
Paul Blackburn: Poor Dog

Cover Illustration by Paul Davis

 

Vol. 12  |  No. 52  | March 1968

Letters to the Editor
Jack Newfield: Hayden-Marat / Dylan-Sade: Defining a Generation
William S. Burroughs: “Johnny 23” 
William Haines & William Taggart, eds.: Fort Lauderdale Beer Burst
Nat Hentoff: From Dissent to What Kind of Resistance?
John Lahr: Theater and Propaganda
Michael Horovitz: Heimische Cookin’
Gary Snyder: Passage to More Than India
Bob Garner: The War Machine
Tom Stoppard: Rosencrantz & Guildenstern Are Dead
G. Jefferis & J. L. Nichols: Light on Dark Corners
John Schultz: Jesse Has a Wife

 

Vol. 12  |  No. 53  | April 1968

Letters to the Editor
Notes from the Underground
Kim Philby: My Silent War
Donald Newlove: The Dead Man’s Float of Only Human
John Lahr: “We Want To Be Humane, But We’re Only Human”
Herb Greer & Peter Brook: “The Great Masturbator”
Leo Skir: A Nocturnal Emission in the House of Orenstein
Nat Hentoff: Turning the Camera into the Audience
Michael O’Donoghue & Eric Bach: Fish Waif
Jean-Francis Held: The Red Globules
Jack C. Shuffler: The Itchy Tooth
Charles Marowitz: Artaud at Rodez

 

Vol. 12  |  No. 54  | May 1968

Letters to the Editor
Notes from the Underground
Kim Philby: My Silent War: Part II
Spencer Lambert: The Spider and the Fly
John Lahr: The Adaptable Mr. Albee
Lawrence Ferlinghetti: Salute
Nat Hentoff: The Mystery That Isn’t: How Do You Get Those Slum Savages to Learn?
Kenzaburō Ōe: Aghwee the Sky Monster
David Larcher: A Portfolio of Photographs
Jean-Francis Held: The Classless Cars

Cover Illustration by Robert Grossman

 

Vol. 12  |  No. 55  | June 1968

Letters to the Editor
Luciano Bianciardi: The Same Old Soup
César Vallejo: Human Poems
Michael Reck: A Conversation Between Ezra Pound and Allen Ginsberg
Rolf Hochhuth: The Pole Who Died on Time
Michael O’Donoghue & Tom Lafferty: Auto-Eroticism
John Lahr: Pinter the Spaceman
Louis Dupree:  Massa’s in the Cold Cold Brown: 4 April 1968
Garnet E. Brennan: Marijuana Witchhunt
David Henderson: Ruckus
Arthur Punn, Jean-Louis Comolli & André S. Labarthe: Bonnie and Clyde: An Interview
Diane di Prima: Spring Thoughts for Freddie
Jean-Francis Held: Drive, We’ll Do the Rest

Cover Photograph by George Jerman

 

Vol. 12  |  No. 56  | July 1968

Letters to the Editor
Aki Tanino: The Tattooed Wife
Vilgot Sjöman: I Was Curious
John Lahr & Vilgot Sjöman: Sex and Politics
Tam Fiofori: Three Poems
Goffredo Parise: Wife in the Saddle
John Lahr: The Theater’s Voluptuary Itch
Mary Ellen Mark & Tony Wolff: Psychedelic Burlesque 
Abdallah Schleifer & Abu Amar: Al Fatah Speaks 
Pierre Mendès France: In the Near East, as in Vietnam
Nat Hentoff: Behold the New Journalism—It’s Coming After You!
Tom Stoppard: The Story
Edward Field: Prick Lore
Timothy Leary: The Magical Mystery Trip
Jean-Frances Held: Due Apologies from Behind the Wheel of a Big V8
Lita Eliscu: Vietnam Déjà Vu: A Film Review of Godard’s La Chinoise

Cover Photograph: Scene from Vilgot Sjöman’s I Am Curious—Yellow

 

Vol. 12  |  No. 57  | August 1968

Letters to the Editor
Notes from the Underground
Jack C. Shuffler: Parts, Shared
Dotson Rader: Up Against the Wall!
John Lahr: The Language of Laughter
Susan Norris: Nothing for the Ladies
Che Guevara: Bolivian Campaign Diary
Sabine Destré & Ghnassia: The French Revolution—1968
Mark Rudd & Paul Spike: “We Don’t Want to Be Educated for the CIA!”
Hubert Selby, Jr.: Solving the Ice-Cream Cone Problem
Nat Hentoff: The Coming of Black Power
Jack Newfield: Green Beret Liberalism
Jean-Francis Held: Lady Ferrari

Cover Photograph: Ghnassia

 

Vol. 12  |  No. 58  | September 1968

Letters to the Editor
Notes from the Underground
Parker Tyler: What Sex Really Is
John Lahr: The American Musical: The Slavery Escape
Andy Warhol: Ondine’s Mare
Paul Spike: Box 456
James Lee: Portfolio of Photographs
E. F. Cherrytree: The Fly
Douglas M. Davis: The New Eroticism
Roy Jones: Campus Drug Raid
Berton Roueché: The Raspberry Patch
Jean-Francis Held: A Car for Bonnie
Nat Hentoff: Columbia’s New Course—Rebellion

Cover photograph: Hugh Bell

 

Vol. 12  |  No. 59  | October 1968

Letters to the Editor
Notes from the Underground
Richard M. Elman: Turn on Guatemala
Eugène Ionesco: From Fragments of a Journal
Turner Brown, Jr.: Black Is
Kenneth Howard: Ten Days in July
Jon Swan: Football
Eldridge Cleaver & Cecil M. Brown: The Minister of Information Raps
John Lahr: The Street Scene: Playing for Keeps
Michael Mason: A Good Education: Spontaneous Demonstration I
Nat Hentoff: On Revolutionary Professionalism
Leo Skir: Angelina-in-the-Wilderness
Jean-Francis Held: The Car with the Pointed Helmet

 

Vol. 12  |  No. 60  | November 1968

Letters to the Editor
Luis J. Gonzalez & Gustavo A. Sánchez Salazar: The Story of Tania: Che’s Woman in Bolivia
William Eastlake: Now Lucifer Is Not Dead
John Schultz: Pigs, Prague, Other Democrats, Chicago, and the Sleeper in the Park
Louis-Ferdinand Céline: The Nymphettes of Sigmaringen
Jack Newfield: Hubert H. Humphrey: Lesser Evilism in 1972
William S. Burroughs: Day the Records Went Up
Nat Hentoff: A Sanity Test: For Self and Society
John Lahr: The New Theater: A Retreat from Realism
Akinari Ueda: The Ghoul-Priest

Cover illustration: Ed Sorel

 

Vol. 12  |  No. 61  | December 1968

Letters to the Editor
Notes from the Underground
Richard Brautigan: What Are You Going to Do With 390 Photographs of Christmas Trees?
Edward Field: Graffiti
Juan Bosch: Pentagonism: Perpetual War for Profit
Robert L. Terrell: Tea Party
John Schultz: Daley Goes Home
Leo Skir: The Boys of Jerusalem
Jean Genet: A Salute to 100,000 Stars
Jan Cremer: French Fries Without a Pickle
Nat Hentoff: Tennis Power
John Lahr: Poor Johnny One Note
Paul Williams: How Rock Communicates

 

Vol. 13  |  No. 62  | January 1969

Letters to the Editor
Notes from the Underground
George Revelli: Commander Amanda Nightingale
Jack Newfield: Letter to an Ex-Radical From Another Country
Michael O’Donoghue & Tom Lafferty: Binders Keepers
Paris Flammonde: Why President Kennedy Was Killed
Samuel Beckett: Eh Joe
Nat Hentoff: The Universities: A Crisis of Legitimacy
Richard Brooke: The Flowers and the Fire
John Lahr: In Search of a New Mythology
Kenneth Howard: Bolivian Burlesque

Cover photograph by Tom Lafferty

 

Vol. 13  |  No. 63 | February 1969

Letters to the Editor
Notes from the Underground
Nat Hentoff: Counterpolitics: The Decade Ahead
William Eastlake: The Hanging at Pettyfields
John Lahr: Jules Feiffer—Satire as Subversion
Calvin C. Hernton: Game Life, London 1967
Tuli Kupferberg: 101 Ways To Make Love
Ingmar Bergman: Death at Dawn Each Day
Charles Bukowski: Even the Sun Was Afraid
Eric Thacker & Anthony Earnshaw: Musrum
Carl Oglesby: The Idea of the New Left
Gert Hofmann: Our Man in Madras
Dotson Rader: Rosalie

Cover photograph by James R. Silke, courtesy Pip Photos

 

Vol. 13  |  No. 64 | March 1969

Letters to the Editor
Notes from the Underground
Leo Skir: Leo in Jerusalem—I
Aki Tanino: The One Thousand Ryo Pledge
David Myers: Seven Days From Zen Camp
Nat Hentoff: The Dimensions of Community Control
Michael O’Donoghue, Peter Brambley, & Michael Sullivan: The Crucifixion of the Gold Dust Twins & The Resurrection of Mr. Clean
Herbert Gold: The Lid
Charles Plymell: In San Francisco
John Cassavetes & André S. Labarthe: A Way of Life
Kenneth H. Brown: Homerun
John Lahr: The Language of Silence
Joseph Škvorecký: Pink Champagne
Jon Hendricks: Horses Don’t Write Songs

Cover photograph by Kishin Shinoyama

 

Vol. 13  |  No. 65 | April 1969

Letters to the Editor
Roy L. Walford: An Expedition in Search of Little Fish
Julius Lester & Nat Hentoff: Blacks and Jews
J. Anthony Stowers: Three Poems
Jacques Demy & Michel Delahaye: Lola in L.A.
Leonard Michaels: A Green Thought
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine
John Lahr: The End of the Underground
Martin Duberman: History
Martin Duberman:
Nat Hentoff: The Prison of Words: Language and the New Left

Cover photo by George Adams

 

Vol. 13  |  No. 66 | May 1969

Letters to the Editor
Erich Goode: Marijuana and Sex
Linyatta: Fitting
John Palcewski: Peripatetic
Michel Delahaye & Jean Narboni: An Interview with Roman Polanksi
Dotson Rader: David Cartwright
Siné: CIA
E. F. Cherrytree: Automatically Yours, Roger Railbird
Jerry Rubin: A Yippie Manifesto
Brother Antoninus: The Last Crusade
Kishin Shinoyama: Portfolio of Photographs
Nat Hentoff: Circling the Colleges: Impressions and Epiphanies
John Lahr: The Open Theater: Beyond the Absurd

Cover photograph by Kishin Shinoyama

 

Vol. 13  |  No. 67 | June 1969

Letters to the Editor
Notes from the Underground
Robert Hunter: Erebus
Michael Rumaker: To a Motorcyclist Killed on Route 9W
Jack Newfield: The Day of the Locust
William S. Burroughs: Mother and I Would Like to Know
William S. Burroughs & Daniel Odier: Journey Through Time-Space
Amos Vogel: The Day Rap Brown Became a Press Agent for Paramount
Nat Hentoff: A Generation Without a Future?
Sergio Mondragón: And All This, For What?
John Lahr: Slawomir Mrożek: The Mask of Irony
John Schultz: Morgan

Cover illustration by Paul Davis

 

Vol. 13  |  No. 68 | July 1969

Letters to the Editor
Seymour Krim: Should I Assume America is Already Dead?
Leslie Garrett: The Only Man in Paris Without a Woman
David Henderson: Boston Road Blues
Louis Marcorelles: Solanas: Film as a Political Essay
Edward Dorn: Driving Across the Prairie
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—II
Jean Genet: From: Funeral Rites
Jindřich Chalupecký: Literature and Freedom
Harold Pinter: Landscape
John Lahr: The Arts and Business
Timothy Wade Huntley: Burn
Nat Hentoff: On Basic Self-Defense at Public Meetings

Cover photograph by Lee Kraft

 

Vol. 13  |  No. 69 | August 1969

Letters to the Editor
Emmanuelle Arsan: An Open Letter to Paul VI on the Pill
Woody Allen: Viva Vargas! Excerpts from the Diary of a Revolutionary
Michael McClure: Mystery Song
Parker Tyler: The Tyranny of Warrendale
Hubert Selby Jr.: Happy Birthday 
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—III
Nat Hentoff: On Bringing Democracy to America
Oh! Calcutta!: Two Plays from the Entertainment devised by Kenneth Tynan
John Lahr: Black Theatre: The American Tragic Voice

Cover photograph by Richard Noble

 

Vol. 13  |  No. 70 | September 1969

Letters to the Editor
Julius Lester: White Woman—Black Man
William Eastlake: The Bamboo Bed
John Lahr: The Fall and Rise of Beckett’s Bum: Bert Lahr in Godot
Joel Oppenheimer: Six-Day and Ball-Bearing
Richard Kirstel: Pas de Deux
Charles Bukowski: The Birth, Life and Death of an Underground Newspaper
Gunnar Harding: It’s Evening When You Return
Jean-Louis Comolli & Michel Delahaye: The Corruption of Power: An Interview with Miklós Jancsó
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—IV
Nat Hentoff: The Last Stand of the Dispensables

Cover photograph by Lagarde-Liaison

 

Vol. 13  |  No. 71 | October 1969

Letters to the Editor
John Lahr: Arthur Kopit’s Indians: Dramatizing National Amnesia
Murray Mednick: The Revolution
Leo Skir: This Is A Picture
Marco Antonio Montes de Oca: Ode on the Death of Che Guevara
Julius Lester: White Woman—Black Man (Part II)
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—V
June Jordan: Black Studies: Bringing Back the Person
François Espinasse: An Interview with Fernando Arrabal
Fernando Arrabal: Fernando Arrabal Ruiz, My Father
Sol Yurick: Hubert Selby: Symbolic Intent and Ideological Resistance, or Cocksucking and Revolution
Nat Hentoff: Participatory Television

Cover photograph by George Adams

 

Vol. 13  |  No. 72 | November 1969

Letters to the Editor
Donald Newlove: Trumpet
L. M. Kit Carson: Easy Rider: A Very American Thing
Dotson Rader: Government-Inspected Meat
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—VI
John Lahr: The Theatre of Sports
Kishin Shinoyama: Twins
Julian Mitchell: The Grocer’s Assistant
Nat Hentoff: Students As Media Critics: A New Course

Cover photograph by Kishin Shinoyama

 

Vol. 13  |  No. 73 | December 1969

Letters to the Editor
Jack Newfield: SDS: From Port Huron to La Chinoise
Stanley Crouch: Cottontail’s Across the Water
Joel Oppenheimer: A Quiet Sunday at Home
Abbie Hoffman: Thorns of the Flower Children
J. Kirk Sale: The Village Voice: You’ve Come A Long Way, Baby, But You Got Stuck There
Hugh Knox: Up Again
Michel Delahaye, Pierre Kast, Jean Narboni: Brazil’s Cinema Novo: An Interview with Glauber Rocha
Frieda Grafe: Rocha’s Film as Carnival
Michael O’Donoghue: The Kiss of Death
Nat Hentoff: Freeing the University: Abolish Tenure
Kenneth Tynan: The Empress’ New Clothes
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—VII
John Lahr: Mystery On Stage

Cover illustration by Bill Lee

 

Vol. 14  |  No. 74 | January 1970

Letters to the Editor
Julius Lester: Martin Luther King I Remember
Gunnar Harding: Allen Ginsberg Meets the Swedish Cyclist
Wallace Fowlie: Rimbaud’s Desert As Seen by Pasolini
Dotson Rader: Billy Graham and Friend
John Lahr: Decades of Dream-Walking
David Amram: In Memory of Jack Kerouac
Jack Kerouac: On the Road to Florida
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—VIII
Charles Bukowski: The Day We Talked About James Thurber
Nat Hentoff: Captain America’s Restaurant

Cover photograph by George Adams

 

Vol. 14  |  No. 75 | February 1970

Letters to the Editor
Notes from the Underground
John Schultz: Motion Will Be Denied
Seymour Krim: How Try Finish Book Crazy N.Y. Eight Years Too Fucking Impossible But: 10 Tracks From A Record
John Lahr: Artist of the Outrageous
Jean-François Jonvel: Portfolio of Photographs
Willard Van Dyke: Early Works: An Interview with Zelimir Zilnik
Fred Gardner: GI Protest: The Presidio Aftermath
Nat Hentoff: Mugging the Constitution
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—IX
Dotson Rader: Vision of the Gun
Cecil Brown: About LeRoi Jones

Cover photograph by George Adams

 

Vol. 14  |  No. 76 | March 1970

Letters to the Editor
Notes from the Underground
Kay Boyle: The Long Walk at San Francisco State
Bill Amidon: Cannonball Catchers
Michael Rumaker: For Charles Olson
Nat Hentoff: The Joke
Antonin Liehm: A Conversation with Jaromil Jireš
Al Young: On Dancing
Ed Sanders: Festival of Life
Raymond Bertrand: Erotic Drawings
Roy L. Walford: The Original Irreplaceable Vision
Richard Brautigan: The Betrayed Kingdom
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—X
Nat Hentoff: The Commonplace of Song My
John Lahr: Putting Shakespeare in a New Environment

Cover photograph by Steen Svensson

 

Vol. 14  |  No. 77 | April 1970

Letters to the Editor
Notes from the Underground
Julius Lester: The Black Writer and the New Censorship
Bill Price: Jimmy’s Home
Tom Hayden: Rebellion and Repression
Nat Hentoff: Keeping Ecology Alive
Arthur Freed: Portfolio of Photographs
William O. Douglas: Redress and Revolution
Tom Seligson: On Rikers Island
Abraham Segal: Mister Freedom: An Interview with William Klein
William Klein: Mister Freedom: A Storyboard Sequence
Donald Newlove: The Black Eye
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—XI
Seymour Krim: Epitaph for a Canadian Kike
From the Third Eye

Cover: Production photo from Mister Freedom

 

Vol. 14  |  No. 78 | May 1970

Letters to the Editor
Notes from the Underground
Parker Tyler: Do They Or Don’t They? Why It Matters So Much
Dotson Rader: The Ultimate All-American Technetronic Queen
John Marshall: Help Wanted
Robert Terrell: Discarding the Dream
John Lahr: Broadway Comedy: Images of Impotence
Jean-François Bauret: Portfolio of Photographs
Cecil Brown: I Never Raped One Either, But I Try Not To Let It Bother Me
Joe Orton: Until She Screams
Julius Lester: Mandabi: Confronting America
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—XII
Nat Hentoff: Higher Education For What?
Lawrence Ferlinghetti: Back Roads To Far Towns After Basho
From the Third Eye

Cover photograph by Bill Sumner

 

Vol. 14  |  No. 79 | June 1970

Letters to the Editor
Notes from the Underground
John Schultz: The Struggle for the Laugh in the Courtroom
Tom Seligson: Poems by Black Children
John Lahr: Spectacles of Disintegration
Bob Garner: Hades & The 400
Charles Bukowski: Soup, Cosmos and Tears
Kent Carroll: Events: An Interview with Fred Baker
Fred Baker: Events
Nat Hentoff: The Ability to Function
Bobby Seale: The Double Standard of Justice
Tomi Ungerer: Compromises
Philip E. Slater: Kill Anything That Moves
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—XIII
From the Third Eye

Cover photograph by George Adams. Joy Wener, Ryan Listman, Frank Cavestani, and Marsha Rossa in Events, an Evergreen film by Fred Baker, presented by Grove Press.

 

Vol. 14  |  No. 80 | July 1970

Letters to the Editor
Notes from the Underground
Frederick W. Turner III: Red Man, White Man, Man on the Moon
Allen Ginsberg: Memory Gardens
Pascal Bonitzer, Michel Delahaye, Sylvie Pierre: An Interview with Nagisa Ōshima
Samuel Beckett: Lessness
Michael Rumaker: Camden, N.J.
Doston Rader: What Do You Think of Your Blue-Eyed Artist Now, Mr. Death?
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—XIV
Joseph Papaleo: The Shyster’s Wedding
Nat Hentoff: Sounds of Silence
From the Third Eye

Cover photograph by Brian D. Hennessey

 

Vol. 14  |  No. 81 | August 1970

Letters to the Editor
Notes from the Underground
Nat Hentoff: The Last Hurrah?
Michael O’Donoghue: ‘30s
Kent E. Carroll: Woodstock: An interview with Michael Wadleigh and Bob Maurice
Jim McCrary: Wine
John Lahr: The Silent Theater of Richard Avedon
Richard Avedon: Portfolio
Frank Zappa, as told to Richard Blackburn: ‘50s Teenagers and ‘50s Rock
William Eastlake: A Child’s Garden of Verses for the Revolution
Jordan Bishop: Schools, Jails, and the Goddamn System
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—XV
Kay Boyle: No One Can Be All Things To All People
From the Third Eye

Cover photograph of Allen Ginsberg and Peter Orlovsky, 1963 by Richard Avedon

 

Vol. 14  |  No. 82 | September 1970

Letters to the Editor
Notes from the Underground
John Schultz: Like the Last Two People on the Face of the Earth
Robert Wells: The Big Sale
Berton Roueché: A Walk on the Beach
Julius Lester: Woman—The Male Fantasy
Michèle Manceaux: Jean Genet and the Black Panthers
Josef Škvorecký: The Uncelebrated Jumping Frog of Calaveras County
Boris Vian: The Seas of China
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—XVI
Kent E. Carroll: Taboos and Film: An Interview with Vilgot Sjöman
Nat Hentoff: The Secret Companions
John Lahr: Playing With Alice
From the Third Eye

Cover photograph by Buddy Gold

 

Vol. 14  |  No. 83 | October 1970

Letters to the Editor
Notes from the Underground
John Fergus Ryan: Holiday Inn University
Bill Amidon: After All These Years
Joseph W. Simpson: Thought on Allen Ginsberg’s Visit to Birmingham
R. Buckminster Fuller: Man’s Total Communication System
Russ Madison: The Sacred Tapes of Dr. Chicago
Kent E. Carroll: Film and Revolution: An Interview with Jean-Luc Godard
Dziga Vertov: We
L. G. Corey: Pillar of Salt
Nat Hentoff: Public Independent Education
From the Third Eye

Cover photograph of Christina Ersman by Jaeckin / Lagarde

 

Vol. 14  |  No. 84 | November 1970

Letters to the Editor
Notes from the Underground
David O. Weber: American Pastime 
Stan Rice: The Dogchain Gang
Jean-Paul Sartre: The Socialism That Came In From The Cold
Michael O’Donoghue: The Liberal Book
Richard Brautigan: Complicated Banking Problems
Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine—XVII
Nat Hentoff: The Law Is An Ass (Male)
Hitoshi Anzai: Morning: Phone Rings
Dotson Rader: Blood and Fire

Cover photograph by Brian D. Hennessey

 

Vol. 14  |  No. 85 | December 1970

Letters to the Editor
Notes from the Underground
Austin C. Clarke: What Happened?
Donald Newlove: Article
Nat Hentoff: The Drugged Classroom
William Eastlake: The Dancing Boy
G. S. Sharat Chandra: matru desh
Henry Miller: Quiet Days in Clichy
Frédéric de Towarnicki: Interview with Eugène Ionesco
Eugène Ionesco: Present Past, Past Present
John Fergus Ryan: Stay in School So You’ll Get a Good Job, Have Lots of Money, and Be Able to Buy the Nice Things Around You
From the Third Eye

Cover photograph by George Adams

 

Vol. 15  |  No. 86 | January 1971

Letters to the Editor
Notes from the Underground
Luis J. González: Bolivia and Its National Liberation
John Fergus Ryan: The Scourge of Scully Jack
L. M. Kit Carson: Eldridge Cleaver’s Cook: An Interview with Paul Williams
W. Perry Smith: Notes of a Non-Worker
Anonymous: A Portfolio of Drawings
Spencer Hoist: The Language of Cats
Ed Sanders: The Saga of Robert Pearpuke
Timothy Leary: Jail Notes
Nat Hentoff: Prisoners: Men or Animals?
From the Third Eye

Cover photograph by Lagarde

 

Vol. 15  |  No. 87 | February 1971

Letters to the Editor
Notes from the Underground
Mike Royko: Boss: Richard J. Daley of Chicago
Dora Maar: The Recently Divorced Doily Pailette
R. Savino: four storiesRichard Gott: Defeat of the Revolution?
Imarmu Amiri Baraka (LeRoi Jones): The Campaign
Mary Phillips: The Fine Art of Lovemaking: An Interview with Betty Dodson
M. G. Stephens: The Hare Apparent
Charles Plymell: Star Tattoo Dying on the Day-Glo Ganges
John Lahr: Orlando Furioso: Theater as “Contact” Sport
André Pieyre de Mandiargues: Glowing Coals
Nat Hentoff: The Politics of the 70s: The Long March
From the Third Eye

Cover photograph by Lane Pederson

 

Vol. 15  |  No. 88 | April 1971

Letters to the Editor
Notes from the Underground
Richard Hammer: Interviews with Mylai Veterans
Alan Seymour: The Coming Self-Destruction of the United States of America
Tom Seligson: Free Schools vs. Public Schools
Hubert Selby Jr.: Prowl Car
Puig Rosado: Why Prehistoric Animals Are Extinct
Oriana Fallaci and Nicole Bonnet: Two “Last” Interviews with Régis Debray
Jay Wright: The Neighborhood House
Leszek Kolakowski: On the Meaning of Tradition
Diane di Prima: Rant, From A Cool Place
Dotson Rader: Gay Liberation: A Gathering of Fugitives
Nat Hentoff: Beyond the Ballot: Survival and Revolution
From the Third Eye

Cover photograph by Chester Maypole

 

Vol. 15  |  No. 89 | May 1971

Letters to the Editor
Notes from the Underground
J. Kirk Sale: Political Violence: Awakening from the American Dream
Nat Hentoff: Dangerous Games: Playacting at Violent Revolution
Don Brown: The L.S.D. Bullfight
William Dykstra: Torturous The Growing Hunger
Vivian Gornick: Woman As Outsider
Roger Garaudy: The Turning Point of Socialism
Chandler Brossard: Ouch! And Oh! (and all that)
Jerry Davis: Lola Falana
Nicolás Guillén: Five Songs of China
Julius Lester: Political Psychiatry: An Interview with James Bevel
M. G. Stephens: Prospecting
From the Third Eye

Cover photograph by George Adams

 

Vol. 15  |  No. 90 | June 1971

Letters to the Editor
Notes from the Underground
Joan Baez Harris: Thoughts on a Sunday Afternoon
Lawrence Ferlinghetti: A World Awash with Fascism and Fear
Betty Shiflett: Cairo, U.S.A.
Seymour Krim: The Copping-Out of Dotson Rader
Jean-Loup de Sauverzac: Photographs
Alix Shuman: Organs and Orgasms
Ron Seitz: Lenny Bruce
Marshall McLuhan: Innovation is Obsolete
William Dean Cox: My Lai
Nat Hentoff: Universities Without Walls
From the Third Eye

Cover photograph by Jean-Loup de Sauverzac

 

Vol. 15  |  No. 91 | July 1971

Letters to the Editor
Notes from the Underground
Nat Hentoff: Demythologizing John V. Lindsay
Irving Molbach: Essay
Claudia Dreifus: St. Joan of the Bogside: An Interview with Bernadette Devlin
Frank O’Hara: Four Poems
Roger Neville Williams: The North Country Fair
Hugh Bell: Photographs
John Fergus Ryan: Gimmicky House
Phyllis and Eberhard Kronhausen: Erotic Bookplates
Sara Davidson: News from Phyllis and Eberhard Kronhausen
From the Third Eye

Cover photograph by Lagarde

 

Vol. 15  |  No. 92 | September 1971

Letters to the Editor
Notes from the Underground
Paul Good: Politics of Pornography
Austin C. Clarke: The Motorcar
John Forbes Kerry: Words of a Winter Soldier
Nguyen Phuc Dao Duc: A Remembrance For You
John Lahr: Ali: The Last Goodbye
David Hamilton: Pasolini’s Decameron
Shelly Estrin Killen: Rowing with a Communist in Central Park
Dotson Rader: One Weekend in May: A Report on the State of the Movement
Nat Hentoff: The Burger Court: Beginning of a Frightening Era?
Nicolás Guillén: Sell Me?
From the Third Eye

Cover photograph by Lagarde

 

Vol. 15  |  No. 93 | October 1971

Letters to the Editor
Notes from the Underground
Claudia Dreifus: Freeing Women’s Sexuality: An Interview with Germaine Greer
David Kherdian: Poem
Robert Lefcourt: The First Law Commune
Nat Hentoff: The Journalists' Rebellion
Michael Rumaker: Poem
Stephen Erhart: Her Perishing Cunning Flesh
Joe Eszterhas: The Selling of the Mylai Massacre
François G. Matthys: Portfolio
From the Third Eye

Cover photograph by Lagarde

 

Vol. 15  |  No. 94 | December 1971

Letters to the Editor
Notes from the Underground
Jack Kramer: Africa’s Hidden War
Jay Wright: Homecoming
William S. Burroughs: The Dead Child
Jean-Paul Merzagora: Portfolio of Photographs
Mary Reinholz: Love in the Lepers Colony
Ellen Cooney: Poem
Tom Seligson: Evel Knievel: The Last Gladiator
Pauline Réage: from Return to the Châteu
Nat Hentoff: The Counterattack Against Big Brother
From the Third Eye

Cover photograph by Jean-Paul Merzagora

 

Vol. 16  |  No. 95 | Fall 1972

Letters to the Editor
Seymour Krim: Notes from the Underground
Claudia Dreifus: Women in Revolutionary China: An Interview with Han Suyin
Michael Rumaker: Four Months After the Breakdown (A Poem for My Lady)
Khushwant Singh: The Prostitute of Delhi
Elizabeth Anders: “Everybody Run Farragut!”
Keith Wilson: Lincoln County, New Mexico
David Rottenberg: For Me and My Friends
Martin Steingesser: Babyhip
Gene Tashoff: Stoic, 1936
R. Savino: it
Dotson Rader: Steal This Book
Raymond Washington: She
John Fergus Ryan: The Bazemore Gala
From the Third Eye

Cover photograph by Patrick Ghnassia

 

Vol. 17  |  No. 96 | Spring 1973

Letters to the Editor
Dotson Rader: Notes from the Underground
Peter Tauber: Report from Bunny Hollow
Samuel Beckett: The Lost Ones
Andrew Hoyem: Lafayette Park Place
David Keinbard: God’s Spies
Al Young: Some Recent Fiction
Dudley Gray: Photographs
Parker Tyler: Is Man a Clown? Is Fellini? And What’s a Clown?
Dotson Rader: Yevgeny Yevtushenko: The Cold Warrior as Poet
Ellen Cooney: Poem
Jerome Tarshis: Krafft-Ebing Visits Dealey Plaza: The Recent Fiction of J.G. Ballard
Paul Blackburn: Facing South
J.G. Ballard: The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race
Cecil Brown: The Philosophy of Jive

Cover painting by Susan Wainer

 

Vol. 17  |  No. 97 | Summer 1973

SPECIAL CLOSE-UP: LAST TANGO IN PARIS
Norman Mailer: Analysis
Dotson Rader: Death of a Stud
Nat Hentoff: The Last Tango Reviews
John Simon: Is Last Tango anti-woman?
Paul Parker Tyler: On the film’s “pornography”
Judy Klemesrud: Interview with Maria Schneider
Dacia Maraini: Interview with Bernardo Bertolucci
Stuart Byron: Untangling Bertolucci
Charles Michener: The Hottest Movie

 

Vol. 18  |  No. 98 | Spring 1984

Lawrence Ferlinghetti: History of the World: A TV Docu-Drama
Dmitri Savitski: Waltz for K. 
Samuel Beckett: Three Plays: Ohio Impromptu, Catastrophe and What Where
Richard Cummings: Allard Lowenstein’s CIA: The Good, the Bad and the Ugly
Mary Hanson: A Tale of Two Women
Marguerite Duras: The Malady of Death
Steven Berkoff: Decadence
Richard Manton: The Victorian Imagination
Michael McClure: Somebody’s Dream (After Clean)
Kathy Acker: A Trip to Hell
Tom Gervasi: Reckless Endangerment: The Attack on Korean Air Lines Flight 7 and America’s Response
Terry Southern: Trib to Von

Cover art by Larry Rivers